KRALICEKMICHAL ABOUT CONTACT

WHEN WE TAKE OFF OUR CLOTHES, WE GET RID OF THE SHAPE OR THE BODY, AT THE SAME TIME WE ACQUIRE FORMLESSNESS

 PHOTOGRAPH OFTEN SHOW SOMETHING CONCRETE, CLEARLY DEFINABLE, INFALLIBLE

RESTING LIMITS, MELTING INTO PLURALITY.

TEAR HIM IN THE PRESENCE, ASK YOU KINDLY.

BORDER, FLATNESS, VISIBILITY, FREQUENTLY TIMELINESSABILITY, DOCUMENTARITY, NATURE OF THE MOMENT, STIFFNESS, FREEZING, ADMINISTRATION, TESTIMONY, POST-ACT, AVAILABILITY, SIMPLICITY, MECHANIZATION, EXTENSION, DUPLICITY, DISSEMINATION, VIRAL, USER, SMOG, OVERFLOW, EVERY PHOTOGRAPHER, DIGITAL, FREQUENTLY, SPEED, VERY, FLASH, FLASH, LOSS, LIQUID. PHOTOGRAPHER / CUSTOMER, STEREOTYP, POSITION REPEAT, MODEL, HUMAN, NECESSARY NECESSARY, ITS APPEARANCE, CHARISM, IMAGINATION, IMPLEMENTATION, SHAPE, WEIGHTING, ABSTRACTION, CLOTHING, SYMBIOSIS, ASSOCIATION, TRANSLATION, MATERIAL, SIZE, USE, LINK, TRACE, FADE

TRIGGERING AN APPROPRIATION? TIME COLLAPSE

SHE WEARS JEWELRY, THEN LEAVES IT AND EXHIBIT IT AS A FULL STATUS OF A THING, AS AN ARTIFACT

SHE WALKS TO PAINT A  PHOTOGRAPH BY RED COLOR, LARGESIZE BARIT PHOTOGRAPH AT THE END OF THE CORRIDOR, THEN SHE LIES DOWN AND COALESCES WITH SURROUNDINGS.

LOSS OF SHAPE, TOO SPECTACULAR..STEREOTYPE. TREND..NO MANIFESTATION, BORROWED TO THE TERM. OUT OF BODY / OUT OF TIME. LOSS OF LOGIC. DEPENDENCE IS EVERYWHERE. SUBORDINATION, WHERE? DISAPPEAR, I WANT TO. EVEN THOSE STEPS DO NOT MOVE ANYWHERE. AFTER THAT IT WILL DISSIPATE ANYWAYS.

SCULPTURE, VIDEO,...

LOSS OF SHAPE, TOO SPECTACULAR..STEREOTYPE. TREND..NO MANIFESTATION, BORROWED TO THE TERM. OUT OF BODY / OUT OF TIME. LOSS OF LOGIC. DEPENDENCE IS EVERYWHERE. SUBORDINATION, WHERE? DISAPPEAR, I WANT TO. EVEN THOSE STEPS ARE DO NOT MOVE ANYWHERE. AFTER THAT IT WILL DISSIPATE ANYWAYS. TEAR HIM IN THE PRESENCE.

LOSS OF SHAPE, TOO SPECTACULAR..STEREOTYPE. TREND..NO MANIFESTATION, BORROWED TO THE TERM. OUT OF BODY / OUT OF TIME. LOSS OF LOGIC. DEPENDENCE IS EVERYWHERE. SUBORDINATION, WHERE? DISAPPEAR, I WANT TO. EVEN THOSE STEPS ARE DO NOT MOVE ANYWHERE. AFTER THAT IT WILL DISSIPATE ANYWAYS. TEAR HIM IN THE PRESENCE.

LOSS OF SHAPE, TOO SPECTACULAR..STEREOTYPE. TREND..NO MANIFESTATION, BORROWED TO THE TERM. OUT OF BODY / OUT OF TIME. LOSS OF LOGIC. DEPENDENCE IS EVERYWHERE. SUBORDINATION, WHERE? DISAPPEAR, I WANT TO. EVEN THOSE STEPS ARE DO NOT MOVE ANYWHERE. AFTER THAT IT WILL DISSIPATE ANYWAYS. TEAR HIM IN THE PRESENCE.

LOSS OF SHAPE, TOO SPECTACULAR..STEREOTYPE. TREND..NO MANIFESTATION, BORROWED TO THE TERM. OUT OF BODY / OUT OF TIME. LOSS OF LOGIC. DEPENDENCE IS EVERYWHERE. SUBORDINATION, WHERE? DISAPPEAR, I WANT TO. EVEN THOSE STEPS ARE DO NOT MOVE ANYWHERE. AFTER THAT IT WILL DISSIPATE ANYWAYS. TEAR HIM IN THE PRESENCE.

PERFORMANCE, PAINTING,...

SURE.

EFFECTS, THEY ARE AUSTERE, UNCONSCIOUS. MUST BE. AND PARADOX IS DRESSED UP INTO UNKNOWN PLACE. MAYBE IT STAYS PEELED FOREVER, MAYBE IT VISITS THE SUBSTANCE..MAYBE IT DOESN'T COME.

 

IMAGE AS A PHOTOGRAPH, PRINCIPLES OF DIGITAL MANIPULATION SHIFTED TO PHYSICALITY. LOOKING TO THE PHOTOGRAPH WITHOUT DEEPER CLAIM, CREATING NOT STAGED COMPOSITIONS. PHOTOGRAPH AS A CLUSTER OF COLORS, IMAGE AS AN ADMISSION.

PREMATURE REALIZATION AS A WEAVING OF TEMPORALITY

DESIRABLE AND UNWANTED OUTPUT..SHOOTING, SOMEONE WOULD SAY CLOTHING, IT IS NECESSARY TO TAKE INTO ACCOUNT THE RESULTING OUTFIT OR CLOTHING, SO THE SOLUTION IS TO CREATE THE PERSONAL ONE, OR TO ADJUST IT AND LOAD, ONLY AT ITS DISCREATION.

SYMBIOSIS OF APPLIED AND FINE. TIME CONFLICT

 

CONSTITUTIONAL EXCEPTION OF PHOTOGRAPHY MEDIUM

PERFORMANCE BECOMES A MILD RECESSION OF THE FASHION SHOW TERM. IT IS NOT INTENDED FOR A FASHION AUDIENCE ANYMORE.

SCROLLING SPEED AND CONTENT CONSUMPTION. CONSTANT MELTING

DENYING FUNCTION, HIDDEN AND PARALLEL DISCOMFORT OF USE

 

BASED ON THE EFFORT TO BREAK LIMITS OF THE ACT OF FASHION PHOTOGRAPHY AS A GENRE AND TO REGAIN EXCITEMENT.

 

 

 

STILL IN THE POSITION OF THE ONE ESTABLISHING THE ORDER

INSTITUTE URGE GLUT

THE INFINITELY EVOLVING MODIFYING ART OF TIME DEPENDING ON THE CURRENT TASTE

PHOTOGRAPHER AS A SLAVE OF A DESIGNER, ONLY A CRAFTMAN, SOMETIMES PROMOTED TO BE A MEDIATOR OR CURATOR

STEREOTYPE OF POSITIONS...

APPROPRIATION

TOO FIGURATIVE, OFTEN BODY DEPENDENT ON SHAPE, FUNCTIONAL AND EFFECTIVE

PHOTOGRAPHY HAS BEEN ALREADY EMANCIPATED, FASHION IS SUBJECT TO STILL DISPUTE.

 

 

PLASTER CAST WHERE THE SHAPE IS ABSTRACTED, THE WEIGHT IS UNSUITABLE FOR USE ON THE BODY, SO IT STANDS OUTSIDE. SO IT IS NOT SO DEPENDENT ON ITS WEARER. THE INTERNAL STRUCTURE OF CASTING SUGGESTS THAT ITS ROLE IS TO BE CLOTHING, BUT PHYSICALLY IT IS NOT.

THUS, PHOTOGRAPH BECOMES THE OBJECT OF DESIRE, BY ELIMINATING A CLEARLY LEGIBLE MOTIF, IT CASES TO BE INVISIBLE

THE WEARER IS COVERED WITH A DELICATE, SEMI-TRANSPARENT TEMPORARY SKIN

AFTER ITS UNDRESSED IT TAKES THE FORM OF A TRACE WHICH STILL PROVES THE PRESENCE OF THE WEARER, EVEN THOUGH IT CAN NO LONGER REMAIN IN THE GIVEN PLACE AT THE GIVEN TIME.

IT OPENS UP IN ANOTHER MEDIUM, UNCOVERS AND PLAYS WITH OTHER PLANES AND TERMS OF THE WHOLE ACT.

HE UNDRESSES THE SKIN, LEAVES  A HINT AND DISAPPEARS.

THIS IS THE ONLY POSSIBLE WAY OF “SELF-PRESENTATION” THAT DENIES ITS PRESENTATION

THE WHOLE ACT HAS A SLIGHT TOUCH OF ABSURDITY AND ITS CHARACTER LACKS ELEGANCE. MUSIC, NONE

CLOTHING AND ITS EFFECTIVENESS, WEARER - MODEL AND SUBSEQUENT TREATMENT WITH THE ACQUIRED MATERIAL

ENLARGEMENT OF PHOTOGRAPH BECOMING TO BE PRESENT THROUGH THE PERFORMANCE

THE HANDLING OF EXPRESSIVENESS AND POSITIONING BECOMES STEREOTYPICAL, QUICKLY EXHAUSTIBLE.

 LOOKING AT A PHOTOGRAPH FOR MORE THAN A CERTAIN PERIOD OF TIME CAUSES FRUSTRATION WITH THE IMAGE, WHICH AT FIRST GLANCE WAS A PLEASURE

PHORNOGRAPHIC PHOTOGRAPH I ALWAYS UNARY THAT LACKS INTENTION AND PLAN

THERE IS NEVER A SECONDARY, OUT-OF-PLACE OBJECT THAT WOULD HALF COVER, SLOW DOWN OR DISTRACT